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            BIRTHDAY CARD. 
             "I used to have the notion I could swim the length 
                of the ocean..."  
              It's today, just like every single day. You are 
                settled into position along the long slab of subway platform, 
                more or less. You rock three feet to the left or right, judging 
                the commuter traffic at this stop and weighing it against other 
                factors such as the presence of others on the platform and the 
                time of morning. (10:08, actually. This softens your logic, lets 
                it grow fuzz, because you know at this hour and this minute most 
                people are already snuggled into their cubicles or hidden behind 
                their Formica counters. You've been on a gradual, almost imperceptible 
                slide toward 10:15 for the last four years. It is highly unlikely 
                that you'll ever see this very spot at 8:44am again - that's a 
                separate reality now. You can't go back to 8:44; you just slip 
                forward until you become wealthy enough to call a hired car or 
                poor enough to work evenings.) You want the third car from the 
                rear. The third car from the rear is the one. Magic car! It might 
                look crowded and loud and noisome now but in two stops it will 
                deposit 60-75% of its passengers on another platform, leaving 
                an empty seat for you and anyone else smart enough to know. You 
                will sit. And read! And all of this in easy comfort for 6 more 
                subway stops. And this makes you happy because standing on a crowded 
                subway car has become next to impossible lately. You sweat like 
                a junkie and you are prone to spells of dizziness and nausea and 
                filled with a desperate need to move your bowels or breathe fresh 
                air or push that obese teenager in the North Face jacket right 
                out of his seat. And you consider all of this each day, from the 
                moment you wake up until that defining moment two subway stops 
                from where you are standing right now. Your whole day is anticipated 
                by and agonized over the comfort of your morning commute. Just 
                like every single day. And this makes you sad and serious.  
              You checked your face for signs of anxiety or anger 
                in the reflections of no less than four parked vehicles on your 
                way to the subway this morning. You are afraid people perceive 
                you as the serious person you believe you've become. And, harder 
                to explain, even to a licensed professional, you are afraid you 
                check your reflection because you think you stopped existing approximately 
                four years ago. You don't even recognize - you repress your instinct 
                to recognize - your reflection one out of every 5 times. Others 
                would tell you this existential crisis is a normal part of urban 
                living, but you don't ask. And they don't ask, because they've 
                woven that neurosis into their day, and they wear long sleeves 
                to cover it up. And they, like you, like all of them, deliberate 
                over the flavor of their bagel and the preparation of their coffee 
                and the balance on their Metro Cards. And they haven't even made 
                it to work yet.  
              "I'd plumb the depths of every sea for you, 
                I'd escape from my shell..." 
              At work you have taken to ordering the same lunch 
                every day, just as you think you will today. You used to deride 
                eating patterns, or any obvious pattern, but that has all changed. 
                You thought you were leading a personal revolution but then you 
                laughed about that and decided lunch at a different location every 
                day in no way constitutes a revolution. A small skirmish perhaps, 
                but no more. And you decided eating the same lunch each day leaves 
                room for more important decisions. You convinced yourself of this 
                almost as quickly as you'd convinced yourself that your individuality 
                was predicated on your decision to eat a different lunch every 
                day. See how easy?  
              (Here's why you really eat the same lunch each day: 
                you have become acutely aware of the patterns to which you're 
                chained. And your lunch is still as significant in its predictability 
                as it was in its unpredictability. You are embracing the foolish 
                patterns and, by doing this, you are quietly subverting them. 
                You actually believe this acknowledgment is funny, and a fitting 
                commentary on the bland state of the post-industrial employee. 
                You know no one else really notices but this - THIS - is the real 
                revolution. Self-conscious conformity is the greatest act of rebellion 
                against normalcy. Fuckers.)  
              (And here's why you really eat the same lunch each 
                day: it tastes just fine, and you've grown content. Like the nice 
                lady said, See how easy?) 
              "I had to contact you€" 
              You used to collect funny things. Now they seem 
                like clutter. You used to clip pictures from magazines that whispered 
                to you, and included these pictures (without explanation) with 
                correspondences - folded into envelopes that were hand-addressed 
                and licked by you. But now it seems a waste to cut up magazines. 
                You can't remember the last time you ate without a napkin or drank 
                without a coaster, although you used to find people who insist 
                on coasters a bit pedantic and not entirely trustworthy. You used 
                to care about so many things you now eschew and dismiss or remain 
                oblivious to all the things you now embrace. You walk into people's 
                homes and say things like, "Hey! I have those curtains."  
              "Ooh baby I'm in love with you, baby baby I'm 
                in loooove with you€"  
              You hit repeat again, because this song has secret 
                messages in it this morning. And you fix your eyes on the train 
                tracks. That's when you see the paper bag creeping along the tracks. 
                You adjust your faculties as you eliminate the possibility that 
                this bag is twisting in the cold breath of an oncoming train. 
                No - this bag has a distinct purpose. It moves along like a rumpled, 
                paper animal. Its head, the end of the bag bunched into a tight 
                nose, darts about slowly and chooses a new direction. The rest 
                of the bag follows along in a cautious but determined creep. This 
                bag sees you, although you hope the bag is looking at someone 
                else. Not today, you think. But it's probably not today anymore, 
                anyway. Right?  
              You continue to watch the bag. It picks up some 
                speed, rustling along without feet, and moving toward the back 
                of the tracks. You think it moves like a dragon in the Chinese 
                New Year parade, but with an adolescent awkwardness. This paper 
                bag is young, orphaned. You love this bag, this bag that up-ends 
                everything you've spent the last several years arranging in a 
                neat, easily indexed pile. This bag is the strangest thing you've 
                ever seen. You awaken your dormant belief in monsters, fairies, 
                the unexplainable, as you watch this bag move with familiar animal 
                instincts. This bag is as real as you are - you have arranged 
                a pact of mutual existence with it through your shared eye contact. 
                (In that small moment, you actually thought the bag wanted to 
                kill you but you've since let the fears associated with that irrational 
                possibility subside.) No one else sees this bag, and you're sure 
                of it. The train arrives, the life instantly vanishes from the 
                bag, and you step on, not caring whether you sit or stand today. 
                (You are protecting your real desire to sit.)  
              As you speed along toward your office and the screen 
                savers that punch holes in, rather than express, personality, 
                and the lunch you aren't going to order today, you have a moment 
                of clarity. You know that bag was a rat in a bag costume. You 
                knew that all along, just as anyone else who might hear this story 
                later must surely know it. But as you hear yourself telling the 
                story to friends and anyone else who will listen, you are sure 
                you will always leave out this truth. You want to stop aligning 
                your life along a 24-hour long stretch of details, and you want 
                to start aligning it along bigger things you've only hinted at 
                before. Not all today, because today is just one day, but in growing 
                pieces every day like today, and from now on. You believe in monsters 
                again. 
              
            
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